Natasha Sardzoska

Natasha Sardzoska (Skopje, 1979), poet, writer, essayist, literary translator, interpreter (FR, IT, ES, EN, PT, CA), anthropologist, has lived in many European cities, among which Milan, Lisbon, Paris, Brussels, Stuttgart. She holds a PhD in anthropology from the Eberhard Karls University of Tübingen, Sorbonne Nouvelle in Paris and University of Bergamo. She is Affiliated researcher at the Center for Advanced Studies South East Europe in Rijeka in Croatia and Assistant professor at the Institute for Anthropology and Ethnology in Skopje.

She has published the poetry books Blue Room, Skin, He pulled me with invisible string, Living Water, Coccyx, essays, short novels and stories. She has published poetry books in the USA, Italy, Kosovo and her poems are translated in more than 15 languages in various international anthologies and literary reviews. She has translated more than 50 authors from Italian, French, Portuguese, Catalan and Spanish languages, among which: Pasolini, Saramago, Carnerio, Montale, Boyunga, Margarit, Sanguineti, and others. She has won the prize from the Ministry of Foreign Affairs of Italy for best translation of the book Pinocchio by Carlo Collodi. She attended the literary and translation residency in the Institute Ramon Llull in Barcelona.

Her poetry readings are with performative and interactive character, combining vocal experiments, music and dance. She has performed at many international poetry festivals and literary venues: Ars Poetica Festival in the National Gallery of Bratislava: International Poetry Festival in Genova in the Palazzo Ducale; in the Museum Revoltella in Trieste; at the Macedonian Cultural Center in Sofia; at the Academy of Arts in Berlin within the Poetry Festival of Berlin; at the Sha’ar International Poetry Festival in Tel Aviv performing with sax, contrabass and contemporary dance in Yaffa Arab-Hebrew theatre; as well as many literary readings across many cities in the Balkans (Belgrade, Plav, Tirana, Rijeka, Struga etc.)

In Skopje with the French Institute she organized the poetic soirée Les rivages de l’exil for the francophone poetry on exile; with the Italian Embassy in Skopje the Italian poetic-musical evening Il vino è la poesia della terra where she has performed poems in Italian language; and the poetry reading For a World Without Walls in collaboration with the International Poetry Festival of Medellin. Her poem Doll on Strings has been published in English and Spanish in the International Poetry Anthology against child abuse. She is part of the European poetry platform Versopolis.

Her poetry intertwines sensuality, reminiscence of the flesh, exposes inner pain, exile, homelessness and reveals spiritual freshness. Her poetic memory has performative character capturing the dramaturgy of the chamber space of the human existence.

Useful links:

https://www.versopolis-poetry.com/poet/145/natasha-sardzoska

https://natashasardzoska.wordpress.com/author/natashasardzoska/

https://liberoamerica.com/2019/12/28natasha-sarzoska-quise-salvar-lo-que-se-podia-salvar-del-naugrafio-y-ver-lo-que-podia-vivir-de-los-restos-que-sobrevivieron/

TREE OF WINTER

Cold fire in the forest

Rough rinds on the edge of this window

I see, I burst shivering without thinking

in a burning interzone

That restores me and glows and wriggles my bones my womb

And yelps without my name without your recognition

A fish from a northern sea

You give me

Grasp of wheat and you spit a bit of wine in my mouth

You are my race, my unease

turgid seeds

uprooted dry layers

LACE AROUND YOUR EYES

Four men in you I saw

And when you came in I felt you were searching for me

And everybody shut up and the world around fall apart

And all movement turned slow and blind

The clock was beating with the sound of a home

Green leafs and red female tongues were burning

Hungry for your thirst you pulled up my head

With a silk string you pulled me proud to you

All those women that made you lonely reached me

Grasping my feet

But my hamstrings and cartilage were bursting into pieces

And my ankles were calling you voiceless

I do not understand why this night washes me away as wine

From where you are yowling elegantly and softly

You eject a wolf cry weaved with opal

You hit me with your tongue through your open leg

I am not afraid that I will not have you

Nor do I go away from your exit gate

I have thrown on your eyes a veil weaved with my hair

So you can see me better in the middle of a burning forest

A nomad lost in the void of his own sea

I pronounce mutely your name

I call inclement your skin

I caress you slowly in my mouth

Beauty deeper than all sensual thoughts art you

Dark knight bewildering white horses

Soft node leather rein translated into rhythm

You are coming from distant cities powerful

You are swelling down the boulevards deaf for any other luxurious inquietude

You are expelling sparkles underneath your leather shoes

While you are boiling steaming in the coffee cups of my silver mornings a

A balcony red wine raw meat and livid sunset you sip in me

birds beak

liquid breath

broken lace

satin hours

whirlwind pine trees

irritated tigers

glowing

in my womb

DOLL ON STRINGS 

Walking down the blacktop

While wild rabbits are screaming in boiling water

Slaughtered

Conspiracies

Words

Unrevealed

And at each step I take I inhale blood

fragile leaves in a Japanese garden are caressing my lips

while I am laying down in the gush of blood and thousands of bewildered flowers

flowing in my hair

You and I

Tokyo and Home

Incalculable steps of the flesh

And again those animals are screaming as if they were the forgotten pot of boiling

water

And I wash your feet so you can lie down underneath my skin

To become a city like any other city that we walked

And we did not know

And we did not know each other

And we did not know

When all those energies were fermenting in us as in bewildered rabbits

slaughtered but alive in the vertiginous water

The tongues of the dead kites to tell us to tell you

I am here

I follow you from each airport pathway and I know when I hear your name

It is music with unknown rhythm

And nobody knows that music

But I tremble from your gaze and I lost my voice when you came to me

And my skin was becoming darker after each bewildered step that you were taking

towards my chests

Growing nipples burning lips in winter

I knew we were one same city one same shadow one same rain and same skin

And the night before I met you I was crying like a child because all crazy plans crashed

down

And before you came in the Japanese garden

In me I could hear screaming all the slaughtered animals

And I was growing shamelessly mute

With open legs underneath you

As a layer of fertile wheat in your overwhelming whispering

humble and perverted

you arise above the eradicated overcoats of the purple passion

ONE SAME CITY 

Something begin to grow and beat

Unclear and innocent

While we were drinking wine with strange girls

I could hear you smiling in the rhythm of an African candombe

When they serve you with a glass of wine

I weave myself around one moment imprisoned in confused kernels

I spit seeds

I stay awake at every dawn to feel your beats

Heartbeats

How can one fear to grasp the night and then to throw it away?

The violet flowers with morning dew and the mad recalcitrance were not enough?

Leave I cannot

I come to you without knowing if this path has an end

But I know wild berries are flowing in my blood

And I weave a spider’s nest with black spit

A layer of tiny boats

is your promise to me

when you are not here

you are present as never

and your silence is hurting

louder than a cup of black tea breaking through the white wall

you are in my kernels a fish bone valves interstices in between my teeth

black sperm on someone else high heels

night porter that knows all my secrets

strange angel that does not talk but says it all

that on this soil someone else’s blood is boiling

RAW MEAT 

I close the venetian blinds

And the closet full with socks so sad miserable and weak

Reflections of this and each and every city

Where we are not but we could

We could, but in this world there should be a balance

Blood and vein that explode

And all those violins should promise peace

Indeed?

And you will take a bow

And your head will bend down

As if you were sucking blood from a finger

As if you were soaking up

As if you were pulling out a nail from alive meat

IN THE RHYTHM OF HIS HEART 

I got air stuck in my throat at each alarm signal

because you strangled me.

You came into my dream secretly

You twisted my spatial dimensions

You pulled me as a servant to your decision

You thread me in your leg

You stamp a burn-mark against evil thoughts

You discovered me in the middle of the screaming mouths and evil eyes

You slip me up as a woolen sock in the middle of war times

I was shambling around your neck like a goat on a hill

Very lonely chewing wild grass cracking my teeth

And I am holding on my vision and my breath in one fixed point every time I see you

sweating

You are splashing around vertiginous cognitions

And so I stopped counting down the illusions

And as an act of rebellion I decided to miss all my flights

To wait, to grow my hair pale, to darken my skin

To impel myself as a hyena on your sex

Finally alone

Translated by the author, edited by Sinead McMorrow